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Omar Killed Me

Omar Killed Me

Drama · Thriller · 2011

In the summer of 1991 an elderly woman Ghislaine Marchal is found murdered in the basement of her home with the message "Omar M'a Tuer" (Omar has kill me) written beside in her own blood. Despite a lack of forensic or DNA evidence, her Moroccan gardener Omar Raddad is found guilty and sentenced to 18 years in a French prison. Shocked by the case, and convinced of his innocence, journalist Pierre-Emmanuel Vaugrenard moves to Nice to investigate, and uncover the truth...

Movie details

Omar Killed Me

2011 Drama · Thriller 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

In the summer of 1991 an elderly woman Ghislaine Marchal is found murdered in the basement of her home with the message "Omar M'a Tuer" (Omar has kill me) written beside in her own blood. Despite a lack of forensic or DNA evidence, her Moroccan gardener Omar Raddad is found guilty and sentenced to 18 years in a French prison. Shocked by the case, and convinced of his innocence, journalist Pierre-Emmanuel Vaugrenard moves to Nice to investigate, and uncover the truth...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Omar Killed Me?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Roschdy Zem

Sami Bouajila

Sami Bouajila

Omar Raddad

Maurice Bénichou

Maurice Bénichou

Maître Jacques Vergès

Denis Podalydès

Denis Podalydès

Pierre-Emmanuel Vaugrenard

Salomé Stévenin

Salomé Stévenin

Maud

Nozha Khouadra

Nozha Khouadra

Latifa Raddad

Afida Tahri

Afida Tahri

Latifa's mother

Y

Yanis Abdellaoui

Karim as a child

Court is in session

Put Omar Killed Me on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.