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The Last Diamond

The Last Diamond

Drama · Crime · Thriller · 2014

Simon, a burglar on probation, agreed to go on the biggest shot of his life: The flight of the "Florentine", a mythical diamond set auction by its owners. To succeed, he must approach Julia, expert diamond for sale which is a considerable personal and family issue. Beyond a jigsaw particularly daring, Julia Simon will lead to a destiny she could not imagine.

Movie details

The Last Diamond

2014 Drama · Crime · Thriller 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Simon, a burglar on probation, agreed to go on the biggest shot of his life: The flight of the "Florentine", a mythical diamond set auction by its owners. To succeed, he must approach Julia, expert diamond for sale which is a considerable personal and family issue. Beyond a jigsaw particularly daring, Julia Simon will lead to a destiny she could not imagine.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last Diamond?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Eric Barbier

Written by

Marie Eynard · Eric Barbier · Trân-Minh Nam

Yvan Attal

Yvan Attal

Simon

Bérénice Bejo

Bérénice Bejo

Julia Neuville

Jean-François Stévenin

Jean-François Stévenin

Albert

Antoine Basler

Antoine Basler

Scylla

Jacques Spiesser

Jacques Spiesser

Pierre Neuville

Annie Cordy

Annie Cordy

Inès de Boissière

Michel Israël

Michel Israël

Jacques Galley

Court is in session

Put The Last Diamond on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.