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Downton Abbey: A New Era

Downton Abbey: A New Era

Drama · Romance · 2022

The Crawley family goes on a grand journey to the south of France to uncover the mystery of the dowager countess's newly inherited villa. Meanwhile, a Hollywood director seeks to film his latest production at Downton.

Movie details

Downton Abbey: A New Era

“A cinematic return.”

2022 Drama · Romance 2h 4m

Critical arithmetic

The consensus, allegedly.

IMDb

7.4 / 10

37.9K votes

Rotten Tomatoes

87 %

Tomatometer

Metacritic

63 / 100

Metascore

TMDB

7.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

The Crawley family goes on a grand journey to the south of France to uncover the mystery of the dowager countess's newly inherited villa. Meanwhile, a Hollywood director seeks to film his latest production at Downton.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Downton Abbey: A New Era?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Simon Curtis

Written by

Julian Fellowes

Hugh Bonneville

Hugh Bonneville

Robert Crawley

Maggie Smith

Maggie Smith

Violet Crawley

Jim Carter

Jim Carter

Charles Carson

Michelle Dockery

Michelle Dockery

Mary Crawley

Elizabeth McGovern

Elizabeth McGovern

Cora Crawley

Imelda Staunton

Imelda Staunton

Maud Bagshaw

Penelope Wilton

Penelope Wilton

Isobel Merton

Court is in session

Put Downton Abbey: A New Era on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.