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The Magic of Ordinary Days

The Magic of Ordinary Days

Drama · Romance · TV Movie · 2005

Pregnant out of wedlock, an educated young woman is pressured by her father into an arranged marriage with a lonely farmer in this drama set during WWII.

Movie details

The Magic of Ordinary Days

“In a world at war, he gave her a place of peace.”

2005 Drama · Romance · TV Movie 1h 38m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Pregnant out of wedlock, an educated young woman is pressured by her father into an arranged marriage with a lonely farmer in this drama set during WWII.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Magic of Ordinary Days?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Racing with the Moon

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In a small coastal California town, Henry and Nicky are pals from blue collar families with only a short time before they ship off to World War II. Henry begins romancing new-to-town Caddie Winger, believing her to be wealthy. Mischievous and irresponsible, Nicky gets into trouble which forces the other two to become involved, testing their relationship, as well as the friendship between the boys.

Where it lives

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Names above the title

The people responsible.

Directed by

Brent Shields

Written by

Camille Thomasson

Keri Russell

Keri Russell

Livy

Skeet Ulrich

Skeet Ulrich

Ray Singleton

Mare Winningham

Mare Winningham

Martha

Tania Gunadi

Tania Gunadi

Florence

Gwendoline Yeo

Gwendoline Yeo

Rose

Stephen Strachan

Stephen Strachan

Hank

Katie Keating

Katie Keating

Ruth

Court is in session

Put The Magic of Ordinary Days on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.