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It's a Free World...

It's a Free World...

Drama · 2007

Working-class Angie gets sacked from a recruitment agency for bad public behaviour. Seizing the chance, she teams up with her flatmate to run a similar business from their kitchen. With immigrants desperate to work, the opportunities are considerable, particularly for two girls so in tune with these times.

Movie details

It's a Free World...

2007 Drama 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Working-class Angie gets sacked from a recruitment agency for bad public behaviour. Seizing the chance, she teams up with her flatmate to run a similar business from their kitchen. With immigrants desperate to work, the opportunities are considerable, particularly for two girls so in tune with these times.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over It's a Free World...?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Drama · 1979

Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory.

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Names above the title

The people responsible.

Directed by

Ken Loach

Written by

Paul Laverty

Kierston Wareing

Kierston Wareing

Angie

J

Juliet Ellis

Rose

Lesław Żurek

Lesław Żurek

Karol

C

Colin Caughlin

Geoff

J

Joe Siffleet

Jamie

Frank Gilhooley

Frank Gilhooley

Derek

D

Davoud Rastgou

Mahmoud

Court is in session

Put It's a Free World... on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.