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In America

In America

Drama · 2003

A family of Irish immigrants adjusts to life on the mean streets of Hell's Kitchen while also grieving the death of a child.

Movie details

In America

“A new home. A new life. Seen through eyes that see everything.”

2003 Drama 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

A family of Irish immigrants adjusts to life on the mean streets of Hell's Kitchen while also grieving the death of a child.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over In America?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Nowhere Special

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Saint Judy

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The Good Lie

The Good Lie

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A young refugee of the Sudanese Civil War who wins a lottery for relocation to the United States with three other lost boys. Encountering the modern world for the first time, they develop an unlikely friendship with a brash American woman assigned to help them, but the young man struggles to adjust to this new life and his feelings of guilt about the brother he left behind.

Synecdoche, New York

Synecdoche, New York

Drama · 2008

A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.

My Left Foot: The Story of Christy Brown

My Left Foot: The Story of Christy Brown

Drama · 1989

No one expects much from Christy Brown, a boy with cerebral palsy born into a working-class Irish family. Though Christy is a spastic quadriplegic and essentially paralyzed, a miraculous event occurs when, at the age of 5, he demonstrates control of his left foot by using chalk to scrawl a word on the floor. With the help of his steely mother — and no shortage of grit and determination — Christy overcomes his infirmity to become a painter, poet and author.

The Namesake

The Namesake

Drama · 2006

The American-born son of Indian immigrants strives to fit in among his fellow New Yorkers despite his family's unwillingness to let go of their traditional ways.

The Visitor

The Visitor

Crime · 2008

A college professor travels to New York City to attend a conference and finds a young couple living in his apartment.

All Together Now

All Together Now

Drama · 2020

An optimistic, talented teen clings to a huge secret: she's homeless and living on a school bus. When tragedy strikes, can she learn to accept a helping hand?

It's a Free World...

It's a Free World...

Drama · 2007

Working-class Angie gets sacked from a recruitment agency for bad public behaviour. Seizing the chance, she teams up with her flatmate to run a similar business from their kitchen. With immigrants desperate to work, the opportunities are considerable, particularly for two girls so in tune with these times.

Nothing Personal

Nothing Personal

Drama · 2009

Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.

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Names above the title

The people responsible.

Directed by

Jim Sheridan

Written by

Jim Sheridan · Kirsten Sheridan · Naomi Sheridan

Samantha Morton

Samantha Morton

Sarah

Paddy Considine

Paddy Considine

Johnny

Sarah Bolger

Sarah Bolger

Christy

Emma Bolger

Emma Bolger

Ariel

Djimon Hounsou

Djimon Hounsou

Mateo

David Wike

David Wike

Barker

Michael Sean Tighe

Michael Sean Tighe

Frank

Court is in session

Put In America on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.