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I Hired a Contract Killer

I Hired a Contract Killer

Comedy · Crime · Drama · 1990

After losing his job and realizing that he is alone in the world, a businessman opts to voluntarily end his life. Lacking courage, he hires a contract killer to do the job. Then, while awaiting his demise, he meets a woman and promptly falls in love.

Movie details

I Hired a Contract Killer

1990 Comedy · Crime · Drama 1h 20m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

After losing his job and realizing that he is alone in the world, a businessman opts to voluntarily end his life. Lacking courage, he hires a contract killer to do the job. Then, while awaiting his demise, he meets a woman and promptly falls in love.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Hired a Contract Killer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Aki Kaurismäki

Written by

Aki Kaurismäki

Jean-Pierre Léaud

Jean-Pierre Léaud

Henri

Margi Clarke

Margi Clarke

Margaret

Kenneth Colley

Kenneth Colley

The Killer

T.R. Bowen

T.R. Bowen

Departmen Head

Imogen Claire

Imogen Claire

Secretary

Angela Walsh

Angela Walsh

Landlady

C

Cyril Epstein

Cab Driver

Court is in session

Put I Hired a Contract Killer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.