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Evil Dead II

Evil Dead II

Horror · Comedy · Fantasy · 1987

Ash Williams and his girlfriend Linda find a log cabin in the woods with a voice recording from an archeologist who had recorded himself reciting ancient chants from "The Book of the Dead." As they play the recording an evil power is unleashed taking over Linda's body.

Movie details

Evil Dead II

“Kiss your nerves goodbye!”

1987 Horror · Comedy · Fantasy 1h 24m

Critical arithmetic

The consensus, allegedly.

IMDb

7.7 / 10

193.6K votes

Rotten Tomatoes

88 %

Tomatometer

Metacritic

72 / 100

Metascore

TMDB

7.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Ash Williams and his girlfriend Linda find a log cabin in the woods with a voice recording from an archeologist who had recorded himself reciting ancient chants from "The Book of the Dead." As they play the recording an evil power is unleashed taking over Linda's body.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Evil Dead II?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Sam Raimi

Written by

Sam Raimi · Scott Spiegel

Bruce Campbell

Bruce Campbell

Ash

Sarah Berry

Sarah Berry

Annie

Dan Hicks

Dan Hicks

Jake

Kassie DePaiva

Kassie DePaiva

Bobby Joe

Ted Raimi

Ted Raimi

Possessed Henrietta

Denise Bixler

Denise Bixler

Linda

Richard Domeier

Richard Domeier

Ed

Court is in session

Put Evil Dead II on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.