The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Gentlemen Prefer Blondes
Comedy · Romance · 1953
Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus' rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw, Esmond Sr. hires Ernie Malone, a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.
Movie details
Gentlemen Prefer Blondes
“The Two M-M-Marvels Of Our Age In The Wonder Musical Of The World!”
1953 Comedy · Romance 1h 31m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.3 / 10
Community rating
Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus' rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw, Esmond Sr. hires Ernie Malone, a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Gentlemen Prefer Blondes?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Funny Face
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How to Marry a Millionaire
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Overboard
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The Wrong Paris
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Dawn thinks she's joining a dating show in Paris, France, only to land in Paris, Texas. She has an exit plan — until sparks fly with the cowboy bachelor.
The Royal Treatment
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Isabella runs her own salon and isn’t afraid to speak her mind, while Prince Thomas runs his own country and is about to marry for duty rather than love. When Izzy and her fellow stylists get the opportunity of a lifetime to do the hair for the royal wedding, she and Prince Thomas learn that taking control of their own destiny requires following their hearts.
The Curse of the Jade Scorpion
Comedy · 2001
CW Briggs is a veteran insurance investigator, with many successes. Betty Ann Fitzgerald is a new employee in the company he works for, with the task of reorganizing the office. They don't like each other - or at least that's what they think. During a night out with the rest of the office employees, they go to watch Voltan, a magician who secretly hypnotizes both of them.
A Good Woman
Comedy · 2004
Fleeing 1930s New York and leaving behind a chequered past, the giltzy divorcee Mrs Stella Erlynne travels to Italy's sun-dappled Amalfi coast. Mrs Erlynne's appearance causes a stir amongst the visiting aristocracy. Based on the Oscar Wilde play "Lady Windemere's Fan."
Yoh! Bestie
Romance · 2026
Thando is perpetually unlucky in love, but when her bestie returns from his travels with a fiancée in tow, she's forced to face a new emotion — jealousy.
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Names above the title
The people responsible.
Cast & crew
Directed by
Howard Hawks
Written by
Charles Lederer
Jane Russell
Dorothy Shaw
Marilyn Monroe
Lorelei Lee
Charles Coburn
Sir Francis 'Piggy' Beekman
Elliott Reid
Ernie Malone
Tommy Noonan
Gus Esmond Jr.
George Winslow
Henry Spofford III
Marcel Dalio
Magistrate
Court is in session
Put Gentlemen Prefer Blondes on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.