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Thoroughly Modern Millie

Thoroughly Modern Millie

Comedy · Music · Romance · 1967

Millie Dillmount, a fearless young lady fresh from Salina, Kansas, determined to experience Life, sets out to see the world in the rip-roaring Twenties. With high spirits and wearing one of those new high hemlines, she arrives in New York to test the "modern" ideas she had been reading about back in Kansas: "I've taken the girl out of Kansas. Now I have to take Kansas out of the girl!"

Movie details

Thoroughly Modern Millie

“Julie as you love her... in the happiest motion picture hit of the year!”

1967 Comedy · Music · Romance 2h 32m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Millie Dillmount, a fearless young lady fresh from Salina, Kansas, determined to experience Life, sets out to see the world in the rip-roaring Twenties. With high spirits and wearing one of those new high hemlines, she arrives in New York to test the "modern" ideas she had been reading about back in Kansas: "I've taken the girl out of Kansas. Now I have to take Kansas out of the girl!"

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Thoroughly Modern Millie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

George Roy Hill

Written by

Richard Morris

Julie Andrews

Julie Andrews

Millie Dillmount

James Fox

James Fox

Jimmy Smith

Mary Tyler Moore

Mary Tyler Moore

Miss Dorothy Brown

Carol Channing

Carol Channing

Muzzy Van Hossmere

John Gavin

John Gavin

Trevor Graydon

Jack Soo

Jack Soo

Oriental #1

Pat Morita

Pat Morita

Oriental #2

Court is in session

Put Thoroughly Modern Millie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.