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Top Hat

Top Hat

Music · Comedy · Romance · 1935

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

Movie details

Top Hat

“They're Dancing Cheek-To-Cheek Again!”

1935 Music · Comedy · Romance 1h 39m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Top Hat?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mark Sandrich

Written by

Allan Scott · Dwight Taylor

Fred Astaire

Fred Astaire

Jerry Travers

Ginger Rogers

Ginger Rogers

Dale Tremont

Edward Everett Horton

Edward Everett Horton

Horace Hardwick

Erik Rhodes

Erik Rhodes

Alberto Beddini

Eric Blore

Eric Blore

Bates

Helen Broderick

Helen Broderick

Madge Hardwick

Lucille Ball

Lucille Ball

Flower Shop Clerk (uncredited)

Court is in session

Put Top Hat on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.