The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
The Boy Friend
Music · Comedy · Romance · 1971
When the leading lady of a low-budget musical revue sprains her ankle, the assistant stage manager is forced to understudy and perform in her place.
Movie details
The Boy Friend
“A glittering super colossal heart warming toe-tapping continuously delightful musical extravaganza!”
1971 Music · Comedy · Romance 2h 18m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
When the leading lady of a low-budget musical revue sprains her ankle, the assistant stage manager is forced to understudy and perform in her place.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Boy Friend?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
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Names above the title
The people responsible.
Cast & crew
Directed by
Ken Russell
Written by
Ken Russell
Twiggy
Polly
Christopher Gable
Tony
Max Adrian
Max
Bryan Pringle
Percy
Murray Melvin
Alphonse
Moyra Fraser
Mme. Dubonnet
Georgina Hale
Fay
Court is in session
Put The Boy Friend on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.