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The Curse of the Jade Scorpion

The Curse of the Jade Scorpion

Comedy · Crime · Romance · 2001

CW Briggs is a veteran insurance investigator, with many successes. Betty Ann Fitzgerald is a new employee in the company he works for, with the task of reorganizing the office. They don't like each other - or at least that's what they think. During a night out with the rest of the office employees, they go to watch Voltan, a magician who secretly hypnotizes both of them.

Movie details

The Curse of the Jade Scorpion

“Love stings”

2001 Comedy · Crime · Romance 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

CW Briggs is a veteran insurance investigator, with many successes. Betty Ann Fitzgerald is a new employee in the company he works for, with the task of reorganizing the office. They don't like each other - or at least that's what they think. During a night out with the rest of the office employees, they go to watch Voltan, a magician who secretly hypnotizes both of them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Curse of the Jade Scorpion?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Analyze This

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Names above the title

The people responsible.

Directed by

Woody Allen

Written by

Woody Allen

Dan Aykroyd

Dan Aykroyd

Chris Magruder

Helen Hunt

Helen Hunt

Betty Ann Fitzgerald

Woody Allen

Woody Allen

CW Briggs

Charlize Theron

Charlize Theron

Laura Kensington

David Ogden Stiers

David Ogden Stiers

Voltan

Brian Markinson

Brian Markinson

Al

John Tormey

John Tormey

Sam

Court is in session

Put The Curse of the Jade Scorpion on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.