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Heartbreakers

Heartbreakers

Comedy · Romance · Crime · 2001

Max and Page are a brilliant mother/daughter con team who have their grift down to a fine science. Max targets wealthy, willing men and marries them. Page then seduces them, and Max catches her husband in the act. Then it's off to palimony city and the next easy mark.

Movie details

Heartbreakers

“Meet the mother and daughter who'll love you for richer...and leave you for poorer.”

2001 Comedy · Romance · Crime 2h 3m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Max and Page are a brilliant mother/daughter con team who have their grift down to a fine science. Max targets wealthy, willing men and marries them. Page then seduces them, and Max catches her husband in the act. Then it's off to palimony city and the next easy mark.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Heartbreakers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

David Mirkin

Written by

Robert Dunn · Stephen Mazur · Paul Guay

Sigourney Weaver

Sigourney Weaver

Max Conners

Jennifer Love Hewitt

Jennifer Love Hewitt

Page Conners

Jason Lee

Jason Lee

Jack Withrowe

Gene Hackman

Gene Hackman

William B. Tensy

Ray Liotta

Ray Liotta

Dean Cumanno

Anne Bancroft

Anne Bancroft

Gloria Vogal

Stacey Travis

Stacey Travis

Nurse Gale Grey

Court is in session

Put Heartbreakers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.