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When in Rome

When in Rome

Comedy · Fantasy · Romance · 2010

Disillusioned with romance, Beth, an ambitious New Yorker, travels to Rome for her sister's wedding, where she plucks magic coins from a special fountain of love. The coins attract unwanted attention from an assortment of odd yet ardent suitors: a sausage merchant, a street magician, an artist, and a male model. But when the best man from the wedding, persistent reporter Nick, throws his hat in the ring, Beth wonders if his love is the real thing.

Movie details

When in Rome

“All is fair in love and Rome.”

2010 Comedy · Fantasy · Romance 1h 31m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Disillusioned with romance, Beth, an ambitious New Yorker, travels to Rome for her sister's wedding, where she plucks magic coins from a special fountain of love. The coins attract unwanted attention from an assortment of odd yet ardent suitors: a sausage merchant, a street magician, an artist, and a male model. But when the best man from the wedding, persistent reporter Nick, throws his hat in the ring, Beth wonders if his love is the real thing.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over When in Rome?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mark Steven Johnson

Written by

David Diamond · David Weissman

Kristen Bell

Kristen Bell

Beth Harper

Josh Duhamel

Josh Duhamel

Nick Beamon

Anjelica Huston

Anjelica Huston

Celeste

Danny DeVito

Danny DeVito

Al Russo

Will Arnett

Will Arnett

Antonio

Jon Heder

Jon Heder

Lance

Dax Shepard

Dax Shepard

Gale

Court is in session

Put When in Rome on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.