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Nightbooks

Nightbooks

Fantasy · Horror · Family · 2021

Alex, a boy obsessed with scary stories, is trapped by a witch in her modern, magical New York City apartment. His original hair-raising tales are the only thing keeping him safe as he desperately tries to find a way out of this twisted place.

Movie details

Nightbooks

“Write for your life.”

2021 Fantasy · Horror · Family 1h 41m

Critical arithmetic

The consensus, allegedly.

IMDb

5.8 / 10

11.8K votes

Rotten Tomatoes

90 %

Tomatometer

Metacritic

65 / 100

Metascore

TMDB

6.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Alex, a boy obsessed with scary stories, is trapped by a witch in her modern, magical New York City apartment. His original hair-raising tales are the only thing keeping him safe as he desperately tries to find a way out of this twisted place.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Nightbooks?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

David Yarovesky

Written by

Mikki Daughtry · Tobias Iaconis

Winslow Fegley

Winslow Fegley

Alex

Lidya Jewett

Lidya Jewett

Yasmin

Krysten Ritter

Krysten Ritter

Natacha

Jill Frappier

Jill Frappier

Grizelda

N

Neil Emmanuel Lu

Joshua

Jess Brown

Jess Brown

Mom

Mathieu Bourassa

Mathieu Bourassa

Dad

Court is in session

Put Nightbooks on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Big-Idea Head

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.