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Mostly Ghostly 3: One Night in Doom House

Mostly Ghostly 3: One Night in Doom House

Family · Fantasy · Horror · 2016

Just one enchanted jewel stands between earth and an army of evil spirits led by the devious ghoul, Phears. With the help of his new girlfriend and ghost pals, Max Doyle races to find the crystal and save the world.

Movie details

Mostly Ghostly 3: One Night in Doom House

2016 Family · Fantasy · Horror 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Just one enchanted jewel stands between earth and an army of evil spirits led by the devious ghoul, Phears. With the help of his new girlfriend and ghost pals, Max Doyle races to find the crystal and save the world.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mostly Ghostly 3: One Night in Doom House?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ron Oliver

Written by

Ron Oliver · R.L. Stine

Corey Fogelmanis

Corey Fogelmanis

Max

Blake Michael

Blake Michael

Nicky

Sophie Reynolds

Sophie Reynolds

Cammie

Jedidiah Goodacre

Jedidiah Goodacre

Colin

Vivian Full

Vivian Full

Phoebe

Andrew Herr

Andrew Herr

Aaron Carmichael

Peter DeLuise

Peter DeLuise

John Doyle

Court is in session

Put Mostly Ghostly 3: One Night in Doom House on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Big-Idea Head

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.