The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
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The Caller
Horror · Thriller · Mystery · 2011
Troubled divorcee Mary Kee is tormented by a series of sinister phone calls from a mysterious woman. When the stranger reveals she's calling from the past, Mary tries to break off contact. But the caller doesn't like being ignored, and looks for revenge in a unique and terrifying way...
Movie details
The Caller
“Some calls are best left unanswered.”
2011 Horror · Thriller · Mystery 1h 32m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
Troubled divorcee Mary Kee is tormented by a series of sinister phone calls from a mysterious woman. When the stranger reveals she's calling from the past, Mary tries to break off contact. But the caller doesn't like being ignored, and looks for revenge in a unique and terrifying way...
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Caller?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
Names above the title
The people responsible.
Cast & crew
Directed by
Matthew Parkhill
Written by
Sergio Casci
Rachelle Lefevre
Mary Kee
Stephen Moyer
John Guidi
Luis Guzmán
George
Ed Quinn
Steven
Lorna Raver
Rose Lazar
Lydia Echevarría
Old Woman
Aris Mejias
Young Woman
Court is in session
Put The Caller on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.