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The Caller

The Caller

Horror · Thriller · Mystery · 2011

Troubled divorcee Mary Kee is tormented by a series of sinister phone calls from a mysterious woman. When the stranger reveals she's calling from the past, Mary tries to break off contact. But the caller doesn't like being ignored, and looks for revenge in a unique and terrifying way...

Movie details

The Caller

“Some calls are best left unanswered.”

2011 Horror · Thriller · Mystery 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Troubled divorcee Mary Kee is tormented by a series of sinister phone calls from a mysterious woman. When the stranger reveals she's calling from the past, Mary tries to break off contact. But the caller doesn't like being ignored, and looks for revenge in a unique and terrifying way...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Caller?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Don't Let Go

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Names above the title

The people responsible.

Directed by

Matthew Parkhill

Written by

Sergio Casci

Rachelle Lefevre

Rachelle Lefevre

Mary Kee

Stephen Moyer

Stephen Moyer

John Guidi

Luis Guzmán

Luis Guzmán

George

Ed Quinn

Ed Quinn

Steven

Lorna Raver

Lorna Raver

Rose Lazar

Lydia Echevarría

Lydia Echevarría

Old Woman

Aris Mejias

Aris Mejias

Young Woman

Court is in session

Put The Caller on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.