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Everything Went Fine

Everything Went Fine

Comedy · Drama · 2021

When her elderly father has a stroke, Emmanuelle rushes to his bedside. Sick and half-paralysed in his hospital bed, he asks Emmanuelle to help him end his life.

Movie details

Everything Went Fine

2021 Comedy · Drama 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

When her elderly father has a stroke, Emmanuelle rushes to his bedside. Sick and half-paralysed in his hospital bed, he asks Emmanuelle to help him end his life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Everything Went Fine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Case 137

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Drama · 2007

Jean-Dominique Bauby, editor-in-chief of French fashion bible Elle magazine, has a devastating stroke at age 43. The damage to his brain stem results in locked-in syndrome, with which he is almost completely paralyzed and only able to communicate by blinking an eye. Bauby painstakingly dictates his memoir via the only means of expression left to him.

Fatima

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Names above the title

The people responsible.

Directed by

François Ozon

Written by

Philippe Piazzo · François Ozon

Sophie Marceau

Sophie Marceau

Emmanuèle Bernheim

André Dussollier

André Dussollier

André Bernheim

Géraldine Pailhas

Géraldine Pailhas

Pascale Bernheim

Charlotte Rampling

Charlotte Rampling

Claude de Soria

Éric Caravaca

Éric Caravaca

Serge Toubiana

Hanna Schygulla

Hanna Schygulla

Swiss Lady

Grégory Gadebois

Grégory Gadebois

Gérard Boisrond

Court is in session

Put Everything Went Fine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.