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Vicious Fun

Vicious Fun

Comedy · Horror · Romance · 2021

Joel, a caustic 1980s film critic for a national horror magazine, finds himself unwittingly trapped in a self-help group for serial killers. With no other choice, Joel attempts to blend in with his homicidal surroundings or risk becoming the next victim.

Movie details

Vicious Fun

“We're going to have a lot of fun tonight.”

2021 Comedy · Horror · Romance 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Joel, a caustic 1980s film critic for a national horror magazine, finds himself unwittingly trapped in a self-help group for serial killers. With no other choice, Joel attempts to blend in with his homicidal surroundings or risk becoming the next victim.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Vicious Fun?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Cody Calahan

Written by

James Villeneuve · Cody Calahan

Evan Marsh

Evan Marsh

Joel

Amber Goldfarb

Amber Goldfarb

Carrie

Ari Millen

Ari Millen

Bob

Julian Richings

Julian Richings

Fritz

Robert Maillet

Robert Maillet

Mike

Sean Baek

Sean Baek

Hideo

David Koechner

David Koechner

Zachary

Court is in session

Put Vicious Fun on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.