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Unconquered

Unconquered

Drama · Adventure · History · 1947

England, 1763. After being convicted of a crime, the young and beautiful Abigail Hale agrees, to escape the gallows, to serve fourteen years as a slave in the colony of Virginia, whose inhabitants begin to hear and fear the sinister song of the threatening drums of war that resound in the wild Ohio valley.

Movie details

Unconquered

“I bought this woman for my own… and I'll kill the man who touches her!”

1947 Drama · Adventure · History 2h 27m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

England, 1763. After being convicted of a crime, the young and beautiful Abigail Hale agrees, to escape the gallows, to serve fourteen years as a slave in the colony of Virginia, whose inhabitants begin to hear and fear the sinister song of the threatening drums of war that resound in the wild Ohio valley.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Unconquered?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Woman King

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The Last of the Mohicans

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Glory

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Names above the title

The people responsible.

Directed by

Cecil B. DeMille

Written by

Charles Bennett · Fredric M. Frank · Jesse Lasky Jr.

Gary Cooper

Gary Cooper

Captain Christopher Holden

Paulette Goddard

Paulette Goddard

Abby

Howard Da Silva

Howard Da Silva

Garth

Boris Karloff

Boris Karloff

Guyasuta, Chief of the Senecas

Cecil Kellaway

Cecil Kellaway

Jeremy Love

Ward Bond

Ward Bond

John Fraser

Katherine DeMille

Katherine DeMille

Hannah

Court is in session

Put Unconquered on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.