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End of the Spear

End of the Spear

Adventure · Drama · History · 2005

"End of the Spear" is the story of Mincayani, a Waodani tribesman from the jungles of Ecuador. When five young missionaries, among them Jim Elliot and Nate Saint, are speared to death by the Waodani in 1956, a series of events unfold to change the lives of not only the slain missionaries' families, but also Mincayani and his people.

Movie details

End of the Spear

“Dare to Make Contact”

2005 Adventure · Drama · History 1h 48m

Critical arithmetic

The consensus, allegedly.

IMDb

6.8 / 10

5.6K votes

Rotten Tomatoes

42 %

Tomatometer

Metacritic

45 / 100

Metascore

TMDB

6.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

"End of the Spear" is the story of Mincayani, a Waodani tribesman from the jungles of Ecuador. When five young missionaries, among them Jim Elliot and Nate Saint, are speared to death by the Waodani in 1956, a series of events unfold to change the lives of not only the slain missionaries' families, but also Mincayani and his people.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over End of the Spear?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jim Hanon

Written by

Bill Ewing · Bart Gavigan · Jim Hanon

L

Louie Leonardo

Mincayani

Chad Allen

Chad Allen

Nate Saint / Steve Saint / Narrator

Jack Guzman

Jack Guzman

Kimo

Chase Ellison

Chase Ellison

Young Steve Saint

Sylvia Jefferies

Sylvia Jefferies

Barbara Youderian

C

Christina Souza

Dayumae

C

Chemo Mepaquito

Gikita

Court is in session

Put End of the Spear on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.