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The Last of the Mohicans

The Last of the Mohicans

History · War · Drama · 1992

In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.

Movie details

The Last of the Mohicans

“An epic adventure and passionate romance unfold against the panorama of a frontier wilderness ravaged by war.”

1992 History · War · Drama 1h 52m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last of the Mohicans?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Mann

Written by

Michael Mann · Christopher Crowe

Daniel Day-Lewis

Daniel Day-Lewis

Hawkeye

Madeleine Stowe

Madeleine Stowe

Cora

Jodhi May

Jodhi May

Alice

Russell Means

Russell Means

Chingachgook

Wes Studi

Wes Studi

Magua

Eric Schweig

Eric Schweig

Uncas

Steven Waddington

Steven Waddington

Heyward

Court is in session

Put The Last of the Mohicans on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.