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The Guns of Navarone

The Guns of Navarone

Action · Adventure · Drama · 1961

A team of allied saboteurs are assigned an impossible mission: infiltrate an impregnable Nazi-held island and destroy the two enormous long-range field guns that prevent the rescue of 2,000 trapped British soldiers.

Movie details

The Guns of Navarone

“The Greatest High Adventure Ever Filmed!”

1961 Action · Adventure · Drama 2h 40m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

A team of allied saboteurs are assigned an impossible mission: infiltrate an impregnable Nazi-held island and destroy the two enormous long-range field guns that prevent the rescue of 2,000 trapped British soldiers.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Guns of Navarone?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

J. Lee Thompson

Written by

Carl Foreman

Gregory Peck

Gregory Peck

Capt. Keith Mallory

David Niven

David Niven

Cpl. John Anthony Miller

Anthony Quinn

Anthony Quinn

Col. Andrea Stavros

Stanley Baker

Stanley Baker

Pvt. 'Butcher' Brown

Anthony Quayle

Anthony Quayle

Maj. Roy Franklin

James Darren

James Darren

Pvt. Spyros Pappadimos

Irene Papas

Irene Papas

Maria Pappadimos

Court is in session

Put The Guns of Navarone on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.