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Master and Commander: The Far Side of the World

Master and Commander: The Far Side of the World

Adventure · Drama · War · 2003

After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.

Movie details

Master and Commander: The Far Side of the World

“The courage to do the impossible lies in the hearts of men.”

2003 Adventure · Drama · War 2h 18m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Master and Commander: The Far Side of the World?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Peter Weir

Written by

Peter Weir · John Collee

Russell Crowe

Russell Crowe

Captain Jack Aubrey

Paul Bettany

Paul Bettany

Dr. Stephen Maturin

James D'Arcy

James D'Arcy

1st Lt. Thomas Pullings

Robert Pugh

Robert Pugh

Mr. Allen, Master

David Threlfall

David Threlfall

Preserved Killick, Captain's Steward

Lee Ingleby

Lee Ingleby

Midshipman Hollom

Max Pirkis

Max Pirkis

Midshipman Blakeney

Court is in session

Put Master and Commander: The Far Side of the World on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.