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The Iron Horse

The Iron Horse

Western · Drama · History · 1925

Brandon, a surveyor, dreams of building a railway to the west. He sets off with his son, Davy, to survey a route. They discover a new pass which will shave 200 miles off the expected distance, but they are set upon by a party of Cheyenne. One of them, a white renegade with only two fingers on his right hand, kills Brandon and scalps him. Davy is all alone now.

Movie details

The Iron Horse

“THE WEDDING OF THE RAILS! ONE OF AMERICA'S MOST THRILLING HISTORICAL DEEDS--THE DRIVING OF THE LAST SPIKE FOR THE TRANSCONTINENTAL RAILROAD”

1925 Western · Drama · History 2h 29m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Brandon, a surveyor, dreams of building a railway to the west. He sets off with his son, Davy, to survey a route. They discover a new pass which will shave 200 miles off the expected distance, but they are set upon by a party of Cheyenne. One of them, a white renegade with only two fingers on his right hand, kills Brandon and scalps him. Davy is all alone now.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Iron Horse?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Ford

Written by

Charles Kenyon · John Russell · Charles Darnton

George O'Brien

George O'Brien

Davy Brandon

Madge Bellamy

Madge Bellamy

Miriam Marsh

C

Charles Edward Bull

Abraham Lincoln

Cyril Chadwick

Cyril Chadwick

Jesson

Will Walling

Will Walling

Thomas Marsh

F

Francis Powers

Sergeant Slattery

J. Farrell MacDonald

J. Farrell MacDonald

Corporal Casey

Court is in session

Put The Iron Horse on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.