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Hombre

Hombre

Western · Drama · 1967

John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.

Movie details

Hombre

“Hombre means man... Paul Newman is Hombre!”

1967 Western · Drama 1h 51m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hombre?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Rio Bravo

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Geronimo: An American Legend

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Tell Them Willie Boy Is Here

Tell Them Willie Boy Is Here

Western · 1969

While confronting the disapproving father of his girlfriend Lola, Native American man Willie Boy kills the man in self-defense, triggering a massive manhunt, led by Deputy Sheriff Christopher Cooper.

Dances with Wolves

Dances with Wolves

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100 Rifles

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The Last Wagon

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The Indian Fighter

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A scout leading a wagon train through hostile Indian country gets involved with a Sioux chief's daughter.

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Names above the title

The people responsible.

Directed by

Martin Ritt

Written by

Harriet Frank Jr. · Irving Ravetch

Paul Newman

Paul Newman

John Russell

Fredric March

Fredric March

Dr. Alex Favor

Richard Boone

Richard Boone

Cicero Grimes

Diane Cilento

Diane Cilento

Jessie

Cameron Mitchell

Cameron Mitchell

Frank Braden

Barbara Rush

Barbara Rush

Audra Favor

Peter Lazer

Peter Lazer

Billy Lee Blake

Court is in session

Put Hombre on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.