“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

There Once Was a Cop
Crime · Comedy · 1972
Campana, a commissar at the drugs bureau of Paris police gets an undercover job in Nice to catch an Italian-French mafia boss. As he slips into the identity of a gangster's brother, who was already killed, he has to play the role of a loving husband with child - something that is not so easy for a confirmed single like Campana. Unfortunately American killers chase behind the Nice mafia clan too, in order to get control of French drug trades to USA.
There Once Was a Cop
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
Campana, a commissar at the drugs bureau of Paris police gets an undercover job in Nice to catch an Italian-French mafia boss. As he slips into the identity of a gangster's brother, who was already killed, he has to play the role of a loving husband with child - something that is not so easy for a confirmed single like Campana. Unfortunately American killers chase behind the Nice mafia clan too, in order to get control of French drug trades to USA.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over There Once Was a Cop?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Georges Lautner
Written by
Georges Lautner · Francis Veber
Put There Once Was a Cop on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






