The defence The Big-Idea Head
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
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Cop or Hood
Comedy · Crime · Thriller · 1979
When the local police inspector was found dead in a prostitute's house, police division commissioner Stan Borowitz is sent to investigate the situation. Posing as the prostitute's long-lost brother "Antonio Cerruti," he discovers a mare's nest of police corruption. In fact, in this comedy thriller the whole town is corrupt. If they were closely examined, Stan's methods for pursuing this investigation might embarrass the police. For instance, he drives into a criminal's house in a fancy, expensive race car. In another incident, he callously blows up a casino owned by Musard , one of the town's crime bosses. On that occasion, he first forces Musard to remove his clothes, and the poor criminal watches his casino explode from across the square while standing naked in a phone booth. Meanwhile, Stan seduces the lovely Edmonde.
Movie details
Cop or Hood
1979 Comedy · Crime · Thriller 1h 47m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
When the local police inspector was found dead in a prostitute's house, police division commissioner Stan Borowitz is sent to investigate the situation. Posing as the prostitute's long-lost brother "Antonio Cerruti," he discovers a mare's nest of police corruption. In fact, in this comedy thriller the whole town is corrupt. If they were closely examined, Stan's methods for pursuing this investigation might embarrass the police. For instance, he drives into a criminal's house in a fancy, expensive race car. In another incident, he callously blows up a casino owned by Musard , one of the town's crime bosses. On that occasion, he first forces Musard to remove his clothes, and the poor criminal watches his casino explode from across the square while standing naked in a phone booth. Meanwhile, Stan seduces the lovely Edmonde.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Cop or Hood?
For the defence
The Big-Idea Head
“You watch with your brain, not your gut.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Shadow of the Thin Man
Comedy · 1941
While attending a major horse race with their young son, Nick Jr., Nick and Nora Charles witnesse a shocking murder from the crowded grandstand. What first appears to be an isolated killing soon leads to a maze of corruption, blackmail, gambling scandals, and criminal intrigue. As Nick investigates, he encounters suspicious bookmakers, dishonest officials, rival gangsters, and a mysterious killer determined to stay ahead of the law. Nora, as always, is never far from the action, bringing her quick wit and fearless curiosity to the case.
Indemnity
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An ex-fireman with PTSD goes on the run when accused of a crime he doesn't even remember committing, leading him down a rabbit hole of conspiracy to the highest degree.
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Names above the title
The people responsible.
Cast & crew
Directed by
Georges Lautner
Written by
Michel Audiard
Jean-Paul Belmondo
Divisional Commissioner Stanislas Borovitz / Antonio Cerutti
Georges Géret
Théodore Musard Aka 'L'Auvergnat'
Claude Brosset
Achille Volfoni, Aka 'Le Corse'
Jean-François Balmer
Inspector Georges Massard
Tony Kendall
Inspector Rey
Michel Beaune
Marcel Langlois
Catherine Lachens
Mrs. Simone Langlois
Court is in session
Put Cop or Hood on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.