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Tokyo Joe

Tokyo Joe

Drama · Thriller · Crime · 1949

An American veteran returns to Tokyo to try to pick up the threads of his pre-World War II life there, but finds himself squeezed between criminals and the authorities.

Movie details

Tokyo Joe

“Bogart rips the Jap underworld apart over a blonde in a Tokyo hot spot !”

1949 Drama · Thriller · Crime 1h 28m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

An American veteran returns to Tokyo to try to pick up the threads of his pre-World War II life there, but finds himself squeezed between criminals and the authorities.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Tokyo Joe?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Woman in the Window

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Woman on the Run

Woman on the Run

Thriller · 1950

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Names above the title

The people responsible.

Directed by

Stuart Heisler

Written by

Cyril Hume · Bertram Millhauser · Steve Fisher

Humphrey Bogart

Humphrey Bogart

Colonel Joseph 'Joe' Barrett

Alexander Knox

Alexander Knox

Mark Landis

Florence Marly

Florence Marly

Trina Pechinkov Landis

Sessue Hayakawa

Sessue Hayakawa

Baron Kimura

Jerome Courtland

Jerome Courtland

Danny

Gordon Jones

Gordon Jones

Idaho

Teru Shimada

Teru Shimada

Ito

Court is in session

Put Tokyo Joe on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.