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The Assassination Bureau

The Assassination Bureau

Action · Adventure · Crime · 1969

In 1908 London, a women's rights campaigner discovers the Assassination Bureau Limited, an organization that kills for justice. When its motives are called into question, she commissions the assassination of its chairman. Knowing that his colleagues have recently become more motivated by greed than morality, he turns the situation into a challenge for his board members: kill him or be killed.

Movie details

The Assassination Bureau

“Zeppelins. Bombs. Bordellos. Burials. You name It. We have It.”

1969 Action · Adventure · Crime 1h 52m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

In 1908 London, a women's rights campaigner discovers the Assassination Bureau Limited, an organization that kills for justice. When its motives are called into question, she commissions the assassination of its chairman. Knowing that his colleagues have recently become more motivated by greed than morality, he turns the situation into a challenge for his board members: kill him or be killed.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Assassination Bureau?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Basil Dearden

Written by

Michael Relph

Oliver Reed

Oliver Reed

Ivan Dragomiloff

Diana Rigg

Diana Rigg

Sonya Winter

Telly Savalas

Telly Savalas

Lord Bostwick

Curd Jürgens

Curd Jürgens

General von Pinck

Philippe Noiret

Philippe Noiret

Monsieur Lucoville

Warren Mitchell

Warren Mitchell

Herr Weiss

Beryl Reid

Beryl Reid

Madame Otero

Court is in session

Put The Assassination Bureau on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.