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Dirty Mary Crazy Larry

Dirty Mary Crazy Larry

Action · Adventure · Crime · 1974

Down-on-their-luck racers Larry and Deke steal from a supermarket manager to buy a car that will help them advance their racing chances. Their escape does not go as planned when Larry's one-night stand, Mary, tags along for the ride.

Movie details

Dirty Mary Crazy Larry

“There's nothin' they won't try!”

1974 Action · Adventure · Crime 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Down-on-their-luck racers Larry and Deke steal from a supermarket manager to buy a car that will help them advance their racing chances. Their escape does not go as planned when Larry's one-night stand, Mary, tags along for the ride.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dirty Mary Crazy Larry?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Hough

Written by

James H. Nicholson · Leigh Chapman · Antonio Santean

Peter Fonda

Peter Fonda

Larry

Susan George

Susan George

Mary

Adam Roarke

Adam Roarke

Deke

Kenneth Tobey

Kenneth Tobey

Carl Donahue

E

Eugene Daniels

Hanks

Lynn Borden

Lynn Borden

Evelyn Stanton

J

Janear Hines

Millie

Court is in session

Put Dirty Mary Crazy Larry on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.