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The In-Laws

The In-Laws

Action · Adventure · Comedy · 1979

In preparation for his daughter's wedding, dentist Sheldon Kornpett meets Vince Ricardo, the groom's father. Vince, a manic fellow who claims to be a government agent, then proceeds to drag Sheldon into a series of chases and misadventures from New York to Central America.

Movie details

The In-Laws

“The FIRST Certified Crazy Person's Comedy.”

1979 Action · Adventure · Comedy 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

In preparation for his daughter's wedding, dentist Sheldon Kornpett meets Vince Ricardo, the groom's father. Vince, a manic fellow who claims to be a government agent, then proceeds to drag Sheldon into a series of chases and misadventures from New York to Central America.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The In-Laws?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Arthur Hiller

Written by

Andrew Bergman

Peter Falk

Peter Falk

Vincent J. Ricardo

Alan Arkin

Alan Arkin

Sheldon S. Kompett D.D.S.

Richard Libertini

Richard Libertini

General Garcia

Nancy Dussault

Nancy Dussault

Carol Kornpett

Penny Peyser

Penny Peyser

Barbara Kornpett

Arlene Golonka

Arlene Golonka

Jean Ricardo

Michael Lembeck

Michael Lembeck

Tommy Ricardo

Court is in session

Put The In-Laws on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.