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RED

RED

Action · Adventure · Comedy · 2010

After surviving an assault from a squad of hit men, retired CIA black ops agent Frank Moses reassembles his old team for an all-out war. Frank reunites with old Joe, crazy Marvin and wily Victoria to uncover a massive conspiracy that threatens their lives. Only their expert training will allow them to survive a near-impossible mission -- breaking into CIA headquarters.

Movie details

RED

“Still armed. Still dangerous. Still got it.”

2010 Action · Adventure · Comedy 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

After surviving an assault from a squad of hit men, retired CIA black ops agent Frank Moses reassembles his old team for an all-out war. Frank reunites with old Joe, crazy Marvin and wily Victoria to uncover a massive conspiracy that threatens their lives. Only their expert training will allow them to survive a near-impossible mission -- breaking into CIA headquarters.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over RED?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Assassination Bureau

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The Man from U.N.C.L.E.

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Names above the title

The people responsible.

Directed by

Robert Schwentke

Written by

Erich Hoeber · Cully Hamner · Jon Hoeber

Bruce Willis

Bruce Willis

Frank Moses

John Malkovich

John Malkovich

Marvin Boggs

Morgan Freeman

Morgan Freeman

Joe Matheson

Helen Mirren

Helen Mirren

Victoria

Mary-Louise Parker

Mary-Louise Parker

Sarah Ross

Karl Urban

Karl Urban

William Cooper

Richard Dreyfuss

Richard Dreyfuss

Alexander Dunning

Court is in session

Put RED on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.