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Sabrina

Sabrina

Comedy · Romance · Drama · 1954

After two years in Paris, chauffeur's daughter Sabrina returns home elegantly transformed and immediately catches the attention of David, the playboy son of her father's rich employers. David woos and wins Sabrina, who has always been in love with him, however their romance is threatened by David's serious older brother Linus, who runs the family business and is relying on David to marry an heiress in order for a crucial merger to take place.

Movie details

Sabrina

“...the chauffeur's daughter who learned her stuff in Paris.”

1954 Comedy · Romance · Drama 1h 54m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

After two years in Paris, chauffeur's daughter Sabrina returns home elegantly transformed and immediately catches the attention of David, the playboy son of her father's rich employers. David woos and wins Sabrina, who has always been in love with him, however their romance is threatened by David's serious older brother Linus, who runs the family business and is relying on David to marry an heiress in order for a crucial merger to take place.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sabrina?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Billy Wilder

Written by

Billy Wilder · Ernest Lehman · Samuel A. Taylor

Humphrey Bogart

Humphrey Bogart

Linus Larrabee

Audrey Hepburn

Audrey Hepburn

Sabrina Fairchild

William Holden

William Holden

David Larrabee

Walter Hampden

Walter Hampden

Oliver Larrabee

John Williams

John Williams

Thomas Fairchild

Martha Hyer

Martha Hyer

Elizabeth Tyson

Joan Vohs

Joan Vohs

Gretchen Van Horn

Court is in session

Put Sabrina on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.