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Uptown Girls

Uptown Girls

Comedy · Drama · 2003

Molly Gunn, the freewheeling daughter of a deceased rock legend, is forced to get a job when her manager steals her money. As nanny to Ray - the precocious, oft-ignored daughter of a music executive - she learns what it means to be an adult while teaching Ray how to be a child.

Movie details

Uptown Girls

“They're about to teach each other how to act their age.”

2003 Comedy · Drama 1h 32m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Molly Gunn, the freewheeling daughter of a deceased rock legend, is forced to get a job when her manager steals her money. As nanny to Ray - the precocious, oft-ignored daughter of a music executive - she learns what it means to be an adult while teaching Ray how to be a child.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Uptown Girls?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.

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Uncle Buck

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A Dog Year

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Comedy · 2009

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Where it lives

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Names above the title

The people responsible.

Directed by

Boaz Yakin

Written by

Julia Dahl · Allison Jacobs · Mo Ogrodnik · Lisa Davidowitz

Brittany Murphy

Brittany Murphy

Molly Gunn

Dakota Fanning

Dakota Fanning

Ray Schleine

Marley Shelton

Marley Shelton

Ingrid

Donald Faison

Donald Faison

Huey

Jesse Spencer

Jesse Spencer

Neal

Austin Pendleton

Austin Pendleton

Mr. McConkey

Heather Locklear

Heather Locklear

Roma Schleine

Court is in session

Put Uptown Girls on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.