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We

We

Drama · Romance · 2019

Dating within different cultures and being open to all religions, Ethan must deal with constant roadblocks. From First Nations to South American, his journey to find love in Toronto is nothing but complex. He faces discrimination and depression but always remains optimistic.

Movie details

We

“Live, Love, See, Feel”

2019 Drama · Romance 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Dating within different cultures and being open to all religions, Ethan must deal with constant roadblocks. From First Nations to South American, his journey to find love in Toronto is nothing but complex. He faces discrimination and depression but always remains optimistic.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over We?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Racing with the Moon

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In a small coastal California town, Henry and Nicky are pals from blue collar families with only a short time before they ship off to World War II. Henry begins romancing new-to-town Caddie Winger, believing her to be wealthy. Mischievous and irresponsible, Nicky gets into trouble which forces the other two to become involved, testing their relationship, as well as the friendship between the boys.

Hello, Goodbye, and Everything in Between

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Ali and Nino

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Nine Lives

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Lovely, Still

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The Lost Husband

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Names above the title

The people responsible.

Directed by

Mani Nasry

Written by

Alejandro Leopardi

Humberly González

Humberly González

Gabriela

Shiva Negar

Shiva Negar

Sahar

A.C. Peterson

A.C. Peterson

Truck Driver

Lara Daans

Lara Daans

Sophia

Joan Gregson

Joan Gregson

Claire

Marcia Bennett

Marcia Bennett

Margaret

Cory Lee

Cory Lee

Kay

Court is in session

Put We on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.