“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

Heads or Tails
Drama · Crime · Thriller · 1980
Since his wife died, Inspector Louis Baroni (Philippe Noiret) has become a virtual recluse, preferring the solitude of his quiet house to the company of others. His period of mournful contemplation is broken when he is called out to look into the suspicious death of Madame Morlaix who, according to her husband Edouard (Michel Serrault), fell from an upstairs window. Curious to find out more, Baroni begins his inquiry.
Heads or Tails
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.6 / 10
Community rating
Since his wife died, Inspector Louis Baroni (Philippe Noiret) has become a virtual recluse, preferring the solitude of his quiet house to the company of others. His period of mournful contemplation is broken when he is called out to look into the suspicious death of Madame Morlaix who, according to her husband Edouard (Michel Serrault), fell from an upstairs window. Curious to find out more, Baroni begins his inquiry.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Heads or Tails?
The Big-Idea Head
“You watch with your brain, not your gut.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Robert Enrico
Written by
Michel Audiard
Put Heads or Tails on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.





