“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Link
Horror · Thriller · 1986
Young graduate student Jane Chase becomes the new assistant to an eccentric zoology professor at the remote home he shares with two brilliant chimpanzees and an elderly orangutan butler named Link. But when one of the chimps is found dead and the professor mysteriously disappears, Link becomes dangerously aggressive towards Jane. Now, the time for “monkey business” is over and the true terror is about to begin.
Link
“Man is no longer in control!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
Young graduate student Jane Chase becomes the new assistant to an eccentric zoology professor at the remote home he shares with two brilliant chimpanzees and an elderly orangutan butler named Link. But when one of the chimps is found dead and the professor mysteriously disappears, Link becomes dangerously aggressive towards Jane. Now, the time for “monkey business” is over and the true terror is about to begin.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Link?
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Richard Franklin
Written by
Lee David Zlotoff · Tom Ackermann · Everett De Roche
Put Link on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.





