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Link

Link

Horror · Thriller · 1986

Young graduate student Jane Chase becomes the new assistant to an eccentric zoology professor at the remote home he shares with two brilliant chimpanzees and an elderly orangutan butler named Link. But when one of the chimps is found dead and the professor mysteriously disappears, Link becomes dangerously aggressive towards Jane. Now, the time for “monkey business” is over and the true terror is about to begin.

Movie details

Link

“Man is no longer in control!”

1986 Horror · Thriller 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Young graduate student Jane Chase becomes the new assistant to an eccentric zoology professor at the remote home he shares with two brilliant chimpanzees and an elderly orangutan butler named Link. But when one of the chimps is found dead and the professor mysteriously disappears, Link becomes dangerously aggressive towards Jane. Now, the time for “monkey business” is over and the true terror is about to begin.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Link?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Richard Franklin

Written by

Lee David Zlotoff · Tom Ackermann · Everett De Roche

Elisabeth Shue

Elisabeth Shue

Jane Chase

Terence Stamp

Terence Stamp

Dr Steven Phillip

Steven Finch

Steven Finch

David

Richard Garnett

Richard Garnett

Dennis

David O'Hara

David O'Hara

Tom

Kevin Lloyd

Kevin Lloyd

Bailey

J

Joe Belcher

Taxi Driver

Court is in session

Put Link on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.