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Wolfen

Wolfen

Horror · Thriller · 1981

A New York City cop and an expert criminologist trying to solve a series of grisly deaths in which the victims have seemingly been maimed by feral animals discover a sinister connection between the crimes and an old legend.

Movie details

Wolfen

“They can hear a cloud pass overhead, the rhythm of your blood. They can track you by yesterday's shadow. They can tear the scream from your throat.”

1981 Horror · Thriller 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A New York City cop and an expert criminologist trying to solve a series of grisly deaths in which the victims have seemingly been maimed by feral animals discover a sinister connection between the crimes and an old legend.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Wolfen?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Wadleigh

Written by

Michael Wadleigh · David Eyre

Albert Finney

Albert Finney

Dewey Wilson

Diane Venora

Diane Venora

Rebecca Neff

Edward James Olmos

Edward James Olmos

Eddie Holt

Gregory Hines

Gregory Hines

Whittington

Tom Noonan

Tom Noonan

Ferguson

Dick O'Neill

Dick O'Neill

Warren

Dehl Berti

Dehl Berti

Old Indian

Court is in session

Put Wolfen on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.