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The Believers

The Believers

Horror · Mystery · Thriller · 1987

Mourning the accidental death of his wife and having just moved to New York with his young son, laconic police psychologist Cal Jamison is reluctantly drawn into a series of grisly, ritualistic murders involving the immolation of two youths.

Movie details

The Believers

“Nothing can stop them, no one can help you. They know who you are.”

1987 Horror · Mystery · Thriller 1h 54m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Mourning the accidental death of his wife and having just moved to New York with his young son, laconic police psychologist Cal Jamison is reluctantly drawn into a series of grisly, ritualistic murders involving the immolation of two youths.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Believers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Schlesinger

Written by

Mark Frost

Martin Sheen

Martin Sheen

Cal Jamison

Helen Shaver

Helen Shaver

Jessica Halliday

Harley Cross

Harley Cross

Chris Jamison

Robert Loggia

Robert Loggia

Lt. Sean McTaggert

Elizabeth Wilson

Elizabeth Wilson

Kate Maslow

Harris Yulin

Harris Yulin

Robert Calder

Lee Richardson

Lee Richardson

Dennis Maslow

Court is in session

Put The Believers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.