“Restraint trusts the audience.”
It leaves emotional space unlabelled, trusting viewers to notice what the characters cannot say aloud.

Kill List
Horror · Thriller · Crime · 2011
Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
Kill List
“Who’s next?”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.4 / 10
48.3K votes
Rotten Tomatoes
79 %
Tomatometer
Metacritic
67 / 100
Metascore
TMDB
6.2 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Kill List?
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their caseThe Sentimental Softie
“You came to feel something, and you will.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Ben Wheatley
Written by
Ben Wheatley · Amy Jump
Put Kill List on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Distance mistaken for discipline.”
The chill may look elegant, but withholding a heartbeat is not the same as having complicated feelings.




