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The Umbrellas of Cherbourg

The Umbrellas of Cherbourg

Drama · Romance · 1964

This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.

Movie details

The Umbrellas of Cherbourg

“A film for all the young lovers of the world.”

1964 Drama · Romance 1h 33m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Umbrellas of Cherbourg?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jacques Demy

Written by

Jacques Demy

Catherine Deneuve

Catherine Deneuve

Geneviève Emery

Nino Castelnuovo

Nino Castelnuovo

Guy Foucher

Anne Vernon

Anne Vernon

Madame Emery

M

Mireille Perrey

Tante Élise

Marc Michel

Marc Michel

Roland Cassard

Ellen Farner

Ellen Farner

Madeleine

Jean Champion

Jean Champion

Aubin

Court is in session

Put The Umbrellas of Cherbourg on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.