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Two English Girls

Two English Girls

Drama · Romance · 1971

In the early 20th-century, Frenchman Claude meets Englishwoman Ann in Paris. Ann invites him to her family home, intending him for her sister Muriel. Claude falls for Muriel, but families demand year-long separation before approving marriage.

Movie details

Two English Girls

1971 Drama · Romance 2h 10m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

In the early 20th-century, Frenchman Claude meets Englishwoman Ann in Paris. Ann invites him to her family home, intending him for her sister Muriel. Claude falls for Muriel, but families demand year-long separation before approving marriage.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Two English Girls?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

François Truffaut

Written by

François Truffaut · Jean Gruault

Jean-Pierre Léaud

Jean-Pierre Léaud

Claude Roc

Kika Markham

Kika Markham

Ann Brown

Stacey Tendeter

Stacey Tendeter

Muriel Brown

Sylvia Marriott

Sylvia Marriott

Mrs. Brown

Marie Mansart

Marie Mansart

Madame Roc

Philippe Léotard

Philippe Léotard

Diurka

Irène Tunc

Irène Tunc

Ruta

Court is in session

Put Two English Girls on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.