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Daddy Longlegs

Daddy Longlegs

Drama · 2010

After months of living a solitary existence, Lenny, 34, picks up his kids from school. Every year he spends a couple of weeks with his sons Sage, 9, and Frey, 7. Lenny hosts his kids within a midtown studio apartment in New York. During these two weeks, he must figure out if he wants to act as their father or be their friend. Ultimately, their trip upstate results in complete lawlessness taking over their lives.

Movie details

Daddy Longlegs

“Go Get Some Rosemary.”

2010 Drama 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

After months of living a solitary existence, Lenny, 34, picks up his kids from school. Every year he spends a couple of weeks with his sons Sage, 9, and Frey, 7. Lenny hosts his kids within a midtown studio apartment in New York. During these two weeks, he must figure out if he wants to act as their father or be their friend. Ultimately, their trip upstate results in complete lawlessness taking over their lives.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Daddy Longlegs?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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What Maisie Knew

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Where it lives

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Names above the title

The people responsible.

Directed by

Benny Safdie · Josh Safdie

Written by

Josh Safdie · Benny Safdie · Ronald Bronstein

Ronald Bronstein

Ronald Bronstein

Lenny

A

Alex Greenblatt

Alex

Sage Ranaldo

Sage Ranaldo

Sage Sokol

F

Frey Ranaldo

Frey Sokol

Eléonore Hendricks

Eléonore Hendricks

Leni

Lee Ranaldo

Lee Ranaldo

Stepfather

Abel Ferrara

Abel Ferrara

Robber

Court is in session

Put Daddy Longlegs on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.