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Last Ride

Last Ride

Drama · 2009

A young boy travels across Australia with his father, who's wanted by the law.

Movie details

Last Ride

“Are some bonds meant to be broken?”

2009 Drama 1h 41m

Critical arithmetic

The consensus, allegedly.

IMDb

6.6 / 10

2.6K votes

Rotten Tomatoes

93 %

Tomatometer

Metacritic

68 / 100

Metascore

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A young boy travels across Australia with his father, who's wanted by the law.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Last Ride?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Boys Are Back

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The Glass Castle

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A young girl is raised in a dysfunctional family constantly on the run from the FBI. Living in poverty, she comes of age guided by her drunkard, ingenious father who distracts her with magical stories to keep her mind off the family's dire state, and her selfish, nonconformist mother who has no intention of raising a family, along with her younger brother and sister, and her other older sister. Together, they fend for each other as they mature in an unorthodox journey that is their family life.

What Maisie Knew

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The Judge

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Where it lives

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Names above the title

The people responsible.

Directed by

Glendyn Ivin

Written by

Mac Gudgeon

Hugo Weaving

Hugo Weaving

Kev

Tom Russell

Tom Russell

Chook

Anita Hegh

Anita Hegh

Maryanne

John Brumpton

John Brumpton

Max

Kelton Pell

Kelton Pell

Ranger Lyall

Sonya Suares

Sonya Suares

Zareena Khan

A

Adam Morgan

Man in Roadhouse

Court is in session

Put Last Ride on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.