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The Prince

The Prince

Drama · 2019

Chile, 1970. During a night of heavy drinking, Jaime, a lonely 20-year-old young man, is sentenced to prison. There, he meets “The Stallion”, an older and respected man in whom he finds protection, and from whom he learns about love and loyalty. But as their relationship grows stronger, “The Stallion” faces the violent power struggles within the prison.

Movie details

The Prince

2019 Drama 1h 36m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Chile, 1970. During a night of heavy drinking, Jaime, a lonely 20-year-old young man, is sentenced to prison. There, he meets “The Stallion”, an older and respected man in whom he finds protection, and from whom he learns about love and loyalty. But as their relationship grows stronger, “The Stallion” faces the violent power struggles within the prison.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Prince?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Starred Up

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The Stanford Prison Experiment

The Stanford Prison Experiment

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In 1971, Stanford's Professor Philip Zimbardo conducts a controversial psychology experiment in which college students pretend to be either prisoners or guards, but the proceedings soon get out of hand. Based on a true story.

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Midnight Express

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Lost Highway

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Names above the title

The people responsible.

Directed by

Sebastián Muñoz

Written by

Luis Barrales · Sebastián Muñoz

Juan Carlos Maldonado

Juan Carlos Maldonado

Jaime 'El Príncipe'

Alfredo Castro

Alfredo Castro

El Potro

Gastón Pauls

Gastón Pauls

Che Pibe

Lux Pascal

Lux Pascal

Danny 'El Rucio'

Catalina Martin

Catalina Martin

Mónica

Paola Volpato

Paola Volpato

Elena

Sebastián Ayala

Sebastián Ayala

El abandonado

Court is in session

Put The Prince on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.