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Howl

Howl

Drama · 2010

It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.

Movie details

Howl

“The Obscenity Trial That Started a Revolution. The Poem That Rocked a Generation.”

2010 Drama 1h 24m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Howl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jeffrey Friedman · Rob Epstein

Written by

Jeffrey Friedman · Rob Epstein

James Franco

James Franco

Allen Ginsberg

T

Todd Rotondi

Jack Kerouac

Jon Prescott

Jon Prescott

Neal Cassady

Aaron Tveit

Aaron Tveit

Peter Orlovsky

David Strathairn

David Strathairn

Ralph McIntosh

Jon Hamm

Jon Hamm

Jake Ehrlich

Andrew Rogers

Andrew Rogers

Lawrence Ferlinghetti

Court is in session

Put Howl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.