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The Razor's Edge

The Razor's Edge

Drama · Romance · 1946

An adventurous young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.

Movie details

The Razor's Edge

“Hunger no love... woman... or wealth could satisfy!”

1946 Drama · Romance 2h 25m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

An adventurous young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Razor's Edge?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Razor's Edge

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Names above the title

The people responsible.

Directed by

Edmund Goulding

Written by

Lamar Trotti

Tyrone Power

Tyrone Power

Larry Darrell

Gene Tierney

Gene Tierney

Isabel Bradley

Herbert Marshall

Herbert Marshall

W. Somerset Maugham

Anne Baxter

Anne Baxter

Sophie MacDonald

Clifton Webb

Clifton Webb

Elliott Templeton

John Payne

John Payne

Gray Maturin

Lucile Watson

Lucile Watson

Louisa Bradley

Court is in session

Put The Razor's Edge on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.