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The Age of Adaline

The Age of Adaline

Romance · Fantasy · Drama · 2015

After 29-year-old Adaline recovers from a nearly lethal accident, she inexplicably stops growing older. As the years stretch on and on, Adaline keeps her secret to herself until she meets a man who changes her life.

Movie details

The Age of Adaline

“Love is timeless.”

2015 Romance · Fantasy · Drama 1h 52m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

After 29-year-old Adaline recovers from a nearly lethal accident, she inexplicably stops growing older. As the years stretch on and on, Adaline keeps her secret to herself until she meets a man who changes her life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Age of Adaline?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Lee Toland Krieger

Written by

J. Mills Goodloe · Salvador Paskowitz

Blake Lively

Blake Lively

Adaline Bowman

Michiel Huisman

Michiel Huisman

Ellis Jones

Harrison Ford

Harrison Ford

William Jones

Ellen Burstyn

Ellen Burstyn

Flemming

Kathy Baker

Kathy Baker

Kathy Jones

Amanda Crew

Amanda Crew

Kikki Jones

Lynda Boyd

Lynda Boyd

Regan

Court is in session

Put The Age of Adaline on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.